Over 300 remote projects recorded for film, TV, and artists
Studio-quality flute recordings from my studio for clients anywhere in the world, clean and ready to drop into your mix.
Flute Remote Recording
BOOK Your SESSION
Ali helnwein
"The perfect combination of professional and creative."
Composer: The Lionheart, Untold
I’ve worked with Gina for almost as long as I’ve been a composer professionally. She’s always been the perfect combination of professional as well as creative.
Her attention to detail, clarifying and making sure that she understands the intention of the music in order to put meaning into phrases, the articulations, dynamics, etc. is the difference between someone who is technically proficient and someone who stands out as an artist.
On the other hand, she’s always amazed me in terms of her technical proficiency. There were sessions where she shows up to nightmarish technical feats, which she works out before downbeat, ensuring that the first take is perfect.
If that’s not enough of a musical Swiss Army Knife, she also collected and mastered an incredible array of world instruments which are hard to find and very useful as a composer for film/tv.
In terms of recording, she was the first musician I was able to remote record with, before it became commonplace for musicians to have home-recording setups. To this day she has one of the best setups amongst studio musicians.
I’m grateful to have Gina’s playing woven throughout my scores throughout my career, with her sound having become an integral aspect to my style and approach as a composer.
Recording Demos
Raw and final track examples
The Workflow
Wondering how the collaboration process works?
A streamlined process that brings your music to life
I’ll record your flute parts from my professional studio with my top-quality microphone and gear. Each take is performed, comped, and polished to capture your creative vision.
02
Recording
You’ll receive organized stems ready to drop straight into your mix. If anything needs adjusting, I’m always happy to make revisions until you’re completely satisfied with the final result.
03
Delivery
Send me the files and any creative direction for your project, and I’ll take care of the rest. I’ll review all the details and reach out if I need any more information before recording.
01
getting started
I’m Gina Luciani, a Los Angeles–based flutist who specializes in remote recording for film, TV, and commercial music. With over 300 projects completed, I love helping composers and producers around the world bring their scores to life through expressive, high-quality performances. From my professional studio, I deliver clean, comped, and polished flute tracks, ready to drop straight into your mix.
Flute remote recording
My Recording Setup
Trusted tools behind my studio-quality sound
My Recording Setup
Trusted tools behind my studio-quality sound
With over 100 flutes from around the world, I can add authentic textures and tone colors to your score with instruments like the Native Flute, Ocarina, Bansuri, and Irish Whistle.
WORLD FLUTES
TRADITIONAL FLUTES
My Instrument Collection
Need Flute for Your
Next Project?
Tell me your timeline and instrumentation details,
and I’ll handle the rest.
Book a session
FAST TURN AROUND TIMES
Cobra Kai, Weird: The Al Yankovic Story
Leo Birenberg
“Gina is one of my absolute favorite musical collaborators. She is creative, versatile, and the quality of her remote recording is top-notch. It makes scoring extremely flexible and keeps the focus on the music.”
Captain Marvel, Avatar: Frontiers of Pandora
Pinar Toprak
"I recently worked with Gina on a project and was blown away by how organized, prompt, and meticulous she was. From her artistic choices, to her technical savvy, to clear labeling, she made my job easier when I was in a time crunch."
Onward, The Hunting Wives
Jeff Danna
"I have always had Gina come in to play at my studio, but recently we had to do remote work for Guillermo Del Toro's Tales Of Arcadia finale. Gina delivered her parts with sparkling fidelity and her always-wonderful tone and feeling. We just missed her smile over here!"
The Morning Show, And Everything Is Going Fine
Forrest Gray
“While I’d always prefer to be in the studio with the musicians I work with, that’s not always possible. Gina makes such situations painless for composers, consistently delivering high-quality remote recordings that elicit my two favorite words: “no notes!”
Joy Ride, Chef’s Table: Legends
Nathan Matthew David
"Gina has been a trusted collaborator and a good friend for many years! Her recordings have been all over my scores, and most recently on my work for Chef’s Table. Working with her is so easy and she’s tremendously accommodating with her remote setup. It always feels like Christmas when I get tracks back from her. Her talent and playing elevates each cue she touches. I’m grateful for be able to call her a collaborator!”
Locke & Key, Five Days at Memorial
Torin Borrowdale
"Gina brought Bode's theme in Locke & Key to life! I can always count on her for quick and clear communication, and impeccably clean audio and a great interpretation. Gina is my go-to flute player!"
The Night House, Hellraiser
Ben Lovett
"Gina’s always at the top of my call list. She’s dependable and fast, and her ability to record remotely is a lifesaver on tight deadlines. Whether interpreting written parts or improvising on an idea, she infuses everything with taste and creativity. She’s a true pro, an organized, precise and adaptable musician who makes collaboration effortless.”
Spoiler Alert, Jentry Chau vs. The Underworld
Brian H. Kim
"I cannot imagine a better collaborator than Gina. Every time we have worked together, either on the recording stage or remotely, I have left the session saying “wow.” Her uncanny ability to get in the pocket of any style, her impressive arsenal of world instruments, and her technical skill when recording remotely have made her an indispensable part of my squad. “
Potato Dreams of America, Home is a Hotel
Catherine Joy
"I have worked with Gina on many projects including the Oscar-Nominated Score for Minari. I love her playing and also find her so professional and easy to work with. She is a wonderful collaborator!"
Elevation, The Newsroom
Scott Salinas
"Gina is quite literally the best! Not only is she a fabulous player, but she gets excellent recordings at her remote studio and they come in clean and ready to drop into your session. Also, make sure you ask her about all her flutes, she’s got a wide range of instruments she can play and is fantastic on all of them."
KPop Demon Hunters, Hit-Monkey
Daniel Rojas
"Gina’s experience and versatility makes her an ideal remote recording musician for me. She has been recording from home since before the pandemic and is very familiar with the needs of composers, both musically and technically. Everything you get back sounds fantastic and is ready to be flown into your session so you can keep working.”
Splitsville, Sometimes I Think About Dying
Dabney Morris
"I have always had Gina come in to play at my studio, but recently we had to do remote work for Guillermo Del Toro's Tales Of Arcadia finale. Gina delivered her parts with sparkling fidelity and her always-wonderful tone and feeling. We just missed her smile over here!"
Avatar: The Last Airbender, Horse Girl
Jeremy Zuckerman
"I've had the true pleasure of working with Gina on a variety of projects from concert music to film and television scores. Each time she's proven herself to be a true master of her craft and a consummate professional.”
The Broken Hearts Gallery, Audrey’s Children
Genevieve Vincent
“Gina is one of those rare players who makes the entire process feel effortless. Her timing, tone, and professionalism are impeccable, and she always brings thoughtful ideas. When recording remotely, often sending multiple woodwind options that dropped perfectly into my tracks, including on Fantasy Island (FOX). Beyond her exceptional musicianship, she has a genuinely delightful attitude that makes every collaboration fun.”
The Righteous Gemstones, Running Point
Joseph Stephens
"Gina is the best. We’ve collaborated on a handful of projects and she always delivers beautifully performed fantastic recordings. It can be tricky working remotely but Gina is intuitive, can read between the lines, and makes things easy.”
What Composers Are Saying
FILM/TV DEMO
film and television scores featuring Gina as flute soloist
FILM/TV DEMO
film and television scores featuring Gina as flute soloist
Zoom interaction with the composer
Sheet music overlay
Multi-angle edited video
Signature split-screen video
Raw behind-the-scenes footage
Video Packages
Flute Remote Recording FAQ
I record from my professional studio and deliver clean, mix-ready audio files. You send your score, mockup, or reference, and I handle everything from performance to editing so the tracks fit seamlessly into your session.
You can send your recording files, MIDI, sheet music if you have it, a click track, and any references. I can also work from a Pro Tools session if you prefer. Even a simple demo is enough to get started, and I will take care of the rest.
You can reach out through my contact form or email with your project details, timeline, and any reference materials. Contact me here and I will follow up quickly with availability and next steps.
I typically deliver 24-bit/48kHz WAV files that are clean, fully edited, and ready to drop into your session. If you need a different format, I am happy to accommodate your workflow.
Turnaround is typically 24 to 72 hours depending on the scope of the project. If you have a tight deadline, feel free to reach out. I often accommodate rush requests.
Yes, I match phrasing, tone, and articulation so it blends seamlessly with your mockup or existing tracks. Whether you are going for something natural or more stylized, I can shape the performance to fit your project.
I record concert flute, piccolo, alto flute, bass flute, and a variety of world flutes. If you are looking for a specific tone or texture, I am happy to help choose the right instrument for your project. You can explore demos of all of my instruments here.
I record a wide range of world flutes, including bansuri, dizi, glass flute, shakuhachi, shinobue, Native American flute, Irish and low whistles, pan flute, sylphyo, and ocarina. My collection also includes a variety of specialty headjoints.
Yes. I am happy to offer suggestions for phrasing, articulation, and playability, and can make adjustments so the part feels natural and expressive on the instrument. I can also work by ear or improvise if you are looking to develop ideas or add something more organic.
I record in a treated studio using high-end equipment to ensure a clean, detailed, and mix-ready sound. My setup includes Pro Tools, a Universal Audio Apollo Twin interface, and a Schoeps CMC 6 with MK4 capsule.
Not a problem at all. I can work directly from a mockup, reference track, or simple demo. I play by ear and can improvise a part that fits your track. Just share your vision and I'll take it from there.
I work at an hourly rate. Reach out through my contact form and I'll get back to you quickly with my rate and availability.
I find the most efficient workflow is async. You send references and direction upfront, and I deliver tracks you can review on your own time. That said, I'm happy to jump on a quick call to align before recording and can send tracks as I go for you to review.
Yes. I want you to be happy with the final result. If anything needs adjusting after delivery, just let me know and I'll take care of it.
Gina Luciani brings her unique flute sound and style to this massive library. The same sound heard on countless modern film scores, now in your DAW.
Elegant and dark flutes · By cinesamples
MUSIO ARTIST SERIES
flute · Alto · Bass · Contrabass · Ensemble Flutes
Discount applied automatically at checkout
demo by Robert Rodriguez
sample library